Spangalang

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SPANGALANG 4-Sale

Back in 2012, in the days before waitematawoodys.com , I posted a story on the WoodenBoat magazines online forum about the building of Spangalang, a 14’6” Whilly sail boat, designed by Iain Oughtred.

She was built by Gary Drummond, who lives in Nelson & is the father of a good personal friend. Gary started the build in May 2011 & finished her in March 2012.

I followed the build with much interest & was amazed by Gary’s build quality & attention to detail. The boat won best new build at the Lake Rotoiti (Sth Island) classic boat show in 2012.

Last week I was contacted by Gary who sadly is having to look for a new owner / custodian for Spangalang. It’s not often that any Ian Oughtred craft pop up for sale in NZ & even rarer for one of this quality.

Interested parties could initially contact Gary via email    gvdrumdoon@gmail.com

I have reproduced Gary’s story on the build – it’s a good read – Enjoy.

PROJECT – WHILLY BOAT   (as told by Gary Drummond)

“This is my fourth boat project. For many years I have been looking for a suitable dinghy design and finally after checking out many designs settled on this one admiring the lovely sheer line. The other criteria was that it had to fit in my existing workshop. After cramming all my machinery in a huddle between two doors there was enough room including a fold down plan desk.

The frames were all 25mm dressed cypress fastened with reclaimed 65mm roofing screws and Titebond adhesive. The building frame was bolted to the concrete floor which allowed me to pack and level to adjust for the uneven floor  and a slight bow in the main 140×45 bed beams. All of the framing timber came from trees that we had planted years earlier in our small forestry block.

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(Building frames setup)

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STEMS – The stems were laminated using Rock or Cork Elm (Ulmus thomasaii) as the timber was recommended for boatbuilding in Iain Oughtred’s book “Clinker Plywood BB Manual” and also in Clinker Boatbuilding by John Leather. I had previously flitched some trees we had growing on our creek bank and was aware on how well it bends. Not wanting to set up a steam box I first tried a wet soak for a day then clamping in the mould with additional spring chocks and left it to dry out. That was successful but it was quite easy to pull the laminates round the curve dry and clamp in place, so that was the method adopted. The building notes suggested a 3mm spring each end to the curve, but after release from the jig 5mm would have been better to allow for the relaxation or creep after gluing.

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(Stem pre-soaked bending trial)

 PLANKING – I discussed plywood species and potential suppliers with two local boat builders and the recommendation was, “Meranti Ply” Part of our local coastline has beautiful golden sandy beaches compete with rocky granite headlands and submerged rocks, so reckoned a heavier garboard strake could be an advantage. I settled on the 9mm for the garboard and 6mm for the upper strakes. (8mm thickness is unavailable in NZ)

It was only when I was cutting out the garboard planks that I realised all laminates were not of the same species. On enquiry the suppliers comment was “Well 100% Meranti would be expensive and it is normal to have a mixed hardwood core” After all of my research on attributes of marine ply I had missed this one. A usual, don’t assume anything. The supplier was in another city so I didn’t see the ply before purchase. By comparison the 6mm ply appears to be 100% Meranti.

With some careful placement of the templates I managed to cut both of the garboard planks from one 2440×1220 sheet. Still I assume that is how it was supposed to be. I have been using my Hitachi jigsaw to cut out planks and have found that hollow ground Makita 2mm tpi blades give a good clean cut without the usual hairy edge.

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(Fastening the Garboard plank)

Bending the 9mm garboad plank to the stems seemed a bit of a mission for a start, until I devised a simple lever system with some short rope ends fastened through the frame one side, timber batten and light chain to hook over screw head fixed to each mould. This was especially useful when fixing the second plank, being unable to use clamps to the keelson. I have delayed fastening the ply until after the epoxy has set up for a couple of days and after trimming down to the stem-keelson surface. This was so I could locate a nail line that would be below my plane blade.

(Fastening the second Garboard plank 9mm+ ply)

 To locate the plank template and ply strake precisely in the same place each time for fitting and especially when at the glue stage I drilled two push fit holes for 50mm nails (minus heads) just below the 20mm joint through the template and into two of the station moulds. When I was happy with my template, marked and cut the paired planks about 2mm oversize (Not forgetting to drill the two location holes). Next I sandwiched the template between the two ply strakes and the faired the ply carefully to fit the template. On the second plank I glued the scarf as part of the plank gluing operation. The scarf was just clamped between two 40mm wide timber pieces without any location screws at the upper edge and to my horror after cleaning up and eyeing over the upper edge noticed a slight out of a  fair alignment. Oh well with a little luck it should take up with the fitting and fastening of the next strake. Just one temporary screw would have kept all in line. Oh bother.

For additional temporary fastenings in between clamps I have been using 30mm “Button Head” screws which worked well except for at the finishing stage having to plug the many screw holes. The plank scarf misalignment didn’t go away, I just had to rectify it before proceeding further it so purchased the second Japanese Saw without the backing rib, recut the epoxied scarf and also cut back 200-300 along the glue line between planks all to allow some movement. To ensure the correct fair line along the strake I cut and fitted a curved beam between the adjacent frames that I could clamp the re-cut scarf to achieve a fair line.

When fitting the outer stems, skeg and brass wear strips I made a sketch locating all of the screw locations to ensure when fastening the next layer I didn’t end up drilling a screw hole into an existing one below, however I did have one senior moment and had to move one hole.

This brings to mind the fragility of the posidrive square head silicon brass screws when forgetting to back off the torque setting on the drill. After shearing off a few I resorted to a hand held square driver for the final tightening.

The brass wear strips were, for better or worse polished and coated to minimise later tarnishing. When countersinking for the screw heads using a suitably reground 10mm twist drill the drill picked up the brass strip and a formed neat 10mm hole clean through. A moment of dilemma as I didn’t want to alter the screw spacing and have a spare hole. Anyway I didn’t check on the potential difference between brass and solder and soldered up the hole and started again this time with the strip in the drill stand vice. Since then I am told when modifying a twist drill for countersinking grind back the spiral cutting edge to near vertical so it is working with a scraping shearing action. This modification has since worked satisfactorily on some stainless steel.

Turnover – At Christmas time with the help from daughter Paula and two nephews we carried the hull out on the lawn and made the turnover, replacing it back on the build frame. I took care to reposition the hull exactly beneath my overhead centre line fixed to the roof truss collar tie and then set up a system of props and braces making sure all was vertical so I could make use of the level to align some of the interior components.

Interior Fitout – The mahogany strips for the gunwale needed scarf jointing in two places over the full length so set up a jig for cutting them on the circular saw which was quick and accurate, but in hind sight wonder if hand formed scarfs with the plane (once I got the hang of it) would have been just of quick. A lesson learned. I machined the qunwale strips to final dimensions, when I should have allowed say 3mm extra width for the final top trim of the four laminations incl, the ply sheer strake. To form the quarter round edges to the gunwale I cut them using the router hand held and inevitably left some black burn marks which would require a filler to disguise, so have left them as is just as a reminder of my folly.

Once again, sometimes a hand formed shape can be equally crafted successfully without the potential problems inherent in using power tools.

I formed the breasthooks from southern rata and the individual pieces when finally formed almost looked like small pieces of a sculpture. I opted for two 13mm oak dowels to reinforce the two halves. Setting up a jig on the lathe to drill the dowel holes was more of a challenge than making the dowel pins. Just this small operation to form and fit the two breasthooks ran away with three days.

Interior layout – Locally we have several tidal estuaries and a maximum high tide of some 4.8 metres and so decided on the pivoting centre board as being the best option for these conditions.  This option required the center thwart to be moved aft 200 mm. Next I decided to include the stern sheets (Aft decking) for which the forward bulkhead is positioned 150mm forward of station#6. Now, all of that was hopefully simple until you get in to start rowing only to find that with my 1.8m tall frame I couldn’t straighten my legs out for a comfortable rowing stance with the shortened cockpit length.

 Well at the Lake it wasn’t a problem to sit on the stern sheets and row looking forward and it also helped in keeping clear of all of the other canoes, yachts, skiffs, steamboats etc, during the drive past. To sort the problem, I have formed a shaped clip-on thwart extension that sits over the center case. The only potential problem being that the seating position will be further away from rowlocks requiring a bit more back bending when rowing.

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Protective Coatings – The complete hull firstly had two coats of West Epoxy. The exterior then had two prime coats, two undercoats, and two finish coats of paint, all wet and dry sanded I could only find one small flat on the second strake. Those final glossy finishes sure show up any earlier mistakes, and at that stage  too late to rectify just like the odd pencil line I failed to erase before applying the epoxy. The interior is all bright finish using a two pot varnish.The thwarts and floor boards received an matt oil finish with “Deks Olje”

Timber Spars – My idea was to obtain some unwanted spars and recut and reshape them to meet the requirements. Well what was a light rectangular boom to be formed into the yard, was after I had started splitting it longitudinally turned out to be a hollow spar and what initially was to be a simple say cut and re-glue turned out to be a little more complicated. On completion though I must say that it is light. A similar complication with the mast thought to be hollow as it was so light, I think it is spruce timber. After detailed checking of the diameter I found that it required widening in one direction to achieve the design. So it has ended up also as hollow spar. Next was the boom. A friend of a friend had a surplus oregan flagpole which after splitting it on the bandsaw and being careful not to cut it with a longitudinal wind managed to machine two suitable pieces from it. Having two hollow spars couldn’t resist now running the router along each piece to hollow them out. All went well but I will be holding my breath when under sail and the first big gust swoops in.

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 Rudder- I chose the swivel rudder option and it was all fairly straightforward until I came to choosing the gudgeon and pintals.  No one locally seemed to have anything like what I needed and I am now wary of purchasing fittings from the net as the nice pictures you see and the product you receive aren’t always the match your expectations. Anyway I drew up what I needed and had a Stainless Steel Fabricator make them without any fastening holes and extra length to allow for fitting modifications. There just aren’t that many double ended boats around to get any ideas from. Luckily there was sufficient room behind the formed pin holes to be able to redrill a set of new holes in a straight line for the pins with the pintal frame sitting snugly against the curved stem. I should have drawn them on the full sized on plan and then could have worked out the offset hole positions pre fabrication. Next time.

The Tiller is laminated cork elm with a 10mm hardwood dowel either side if the slot which fixes over the rudder head to ensure it doesn’t part company.

Choosing the name – With both sides of our family being of Scottish decent and the boat design coming from the Shetland Island the name just had to reflect all of this history. Firstly I scoured Celtic Scottish on line dictionaries and finally resorted to making contact with a relative from the Shetlands. He supplied me with a list and that was it.

Building Aids – Masking tape – should have used it more often to eliminate the many epoxy runs that are difficult to clean away under clamps.

Skarsten Scraper – great for removing epoxy runs and gauging grooves in the ply.

Steel Scraper – As well as straight I have made several with varying curvatures from old band saw blades.

Cam Clamps – Hadn’t seen one until I read Iain Oughtreds book, made a prototype and then a few more with a 200mm reach. Clamping pressure is not as great as a G Clamp, but is quite adequate for clamping glue jobs and just holding things.

Drawings  – These were good to work from, but, always read the fine print as I have in the rack a 1.97m half made boom. The actual Balanced Lugsail boom was 2.62m long.

Rigging – Iain Oughtred directs the builder to previously written articles, none of which I managed to locate. However on one of the many web searches via the site “The Mother of all Maritime Links”  http://www.boat-links.com  From this site I found just what I needed at,  http://www.storerboatplans.com/GIS/GISRigging.html

Now for some rope and fittings and we will finely be under sail on the water.

 Conclusion – This has been a great project and has drawn many favorable comments. Apart from the personal satisfaction of having created this thing of beauty it has been a great brain teaser. Every day there have been problems to solve such as how do I, set that out, clamp it, etc., etc.,. I am sure the brain has had a good workout and I will miss all of the challenges.

However, getting out on the water is going to be fantastic.”

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Sea Craft Run-About

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Sea Craft Run-About 

Nelson boat builder / restorer Peter Murton contacted me to say that he had just been given the above 1947 Sea Craft.  She measures 17’ x 4’, with a 7’4” beam, current power is from a small twin cylinder diesel. She is twin skinned cedar with ribs and copper riveted out side horizontal diagonal inside. 

Prior to Peter acquiring her,  she was based on Rotorua.

Peter plans to restore her but is looking for some more photos of this model Sea Craft, mainly the cabins and interior layout. Peter has completed numerous ‘smaller’ craft restoration, a lot of which have featured on WW, enter Peter Murton in the WW search box to view them 🙂

So woodys – anyone able to help Peter out?

Input from Paul Drake – The photo below shows this boat (or a sister) at Taupo – between 1953 and 1963 (our pram dinghy, shown outside our boatshed, was built in 1953, and the boatsheds were removed in 1963).

Other vessels shown are WATER NYMPH and WAIHAHA, now at Rotoiti, LADY PAT, now at Mana Marina, Wellington, MOANA, now at Auckland, and ARCADIA, still at Taupo.

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Judges Bay Haul Out + Name the Boats & Win

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Judges Bay Haul Out + Name the Boats & Win

The above photo shows the shoreline at Judges Bay, Auckland. c1930’s.
The photographer is unknown, but the photo is ex the New Zealand Herald via the Sir George Grey Special Collections, Auckland Libraries.

Nathan Herbert has commented that the photo was taken between December 1934 and 1938, as a boat in the photo was launched in December, and modified from that style in 1938.

The woody that can correctly name the most boats, starting from the bottom of the photo, wins a 2018 Lake Rotoiti Classic & Wooden Boat calendar. Lets try doing the entry thing via the WW Comments section, the email entry seems to confuse a few of you 🙂
Promo closes 6.00pm 22-11-2017.

If you don’t win the calendar, copies are available for $15, a steal – click this link for details on ordering.

Lake Rotoiti Classic & Wooden Boat Association 2018 Calendars

 

White Star – Part 2

 

 

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White Star Part 2

(photos from Glenn Martin, words ex Glenn & Ken Ricketts – edited by Alan Houghton)

White Star was originally built by Ken Turner, who built quite a number of boats in Coromandel. Her first owner was Neville Evans of Amodeo Bay & has been moored there on & off for quite a bit of her life & is presently moored there, alongside her sister ship the Dagma, which was built by Ken Turner’s father, Charlie Turner.

Present owner is Paul Baker, who has had her for about 8 years & bought her off Paul Desmond of Tauranga, & had kept her there, as did the precious owner Nigel Pippey. Paul D only had her for a few months, as he bought her, in order to acquire her marina berth.

She was frequently used as a mark boat for many yacht races at Tauranga, as Paul P was a very active member of the local yacht club.

Paul B was living at Waiheke when he bought her & she was initially moored there, but he has now moved to Coromandel..

Her engine was fitted by Strongmans of Coromandel. She is powered by the Gray Marine marinised version, of the GM Detroit 6-71 & at 190 hp., this is the spec of these engines back in the 50s 60s, when they were fitted to many HDMLs, & other pleasure boats in that era, like Linda, Wirihnana & Ruamano etc.

Her name was the result of her log being sawn & milled from the “White Star” mine property, in Coromandel, of that time. Glen, also commented that as a kid he saw White Star moored in Torehina Bay next to their bach at Waitete Bay – 20mins north of Coromandel town.  Glenn is pretty sure White Star was built using a single kauri log milled from the farm of the owner in Colville.

(the launching day & early day photos of White Star are from the original owners & the more recent of her at anchor at Coromandel Harbour, in 2016, are ex Glenn)

Click link to read Part 1 of this story    https://waitematawoodys.com/2017/11/10/1968-bridge-decker/#comment-37747

 

18-03-2024 UPDATE ex Mark Sorrenson – white Star has just relocated to Hobsonville Marina

Merlin – Sailing Sunday

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MERLIN – Sailing Sunday

I recently received a note from Andrew Hewitt from Ashburton, concerning his 22’ yacht Merlin. Andrew became custodian of her three years ago, when she was put up for sale by a broker on behalf of her former owner’s widow (Peter Beaven, a notable Christchurch architect and heritage advocate).

Peter had had her hull restored professionally in Christchurch some time previously, but the earthquakes and his ultimate death intervened. Andrew completed the job, rigged her and commissioned a trailer for her locally. So she’s now, home from the sea in her retirement – converted for use as a ‘trailer-sailor’ and lives protected from the elements in a boat shed at Lake Hood (just east of Ashburton) – where Andrew sails her when time allows.

Andrew commented that Harold Kidd kindly supplied a little history on her and Les McBean (Dunedin) also did a quite an extensive one (link here Les McBean Merlin), but unfortunately they contradict each other J According to Les, it seems she dates from around 1902 by Mr Derwent Aitcheson of Waikouaiti, where she was originally a fishing boat fitted with an engine. She appears to have been based there and Moeraki, moving about in the general Otago area. At some time mid-century she was converted to a yacht, and was well known in Otago Harbour for some decades, prior to becoming derelict and ultimate salvation by Peter Beaven.

The registration number seems original (V9) – it is on an old cotton sail that came with her.

Like all woodys, Merlin’s restoration is an ongoing thing….. the photos above ange from the fitting out/rigging stage at Andrew’s home to an early pic of Andrew under sail at Lake Hood.

Andrew is keen to discover more on Merlin past, to date he has made one or two connections through the Canterbury Classic Boat meets and tried both the Port Chalmers Maritime Museum and the two yacht clubs down there for info, but nothing forthcoming. The Museum at Waikouaiti knew of the builder, but didn’t supply any info when requested.

2017 Centreboard Cup – Herne Bay Yacht Club – Sat 9th Dec – Sloanes Beach, Herne Bay

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Pencil midday on Saturday the 9th of December into the diary, the Herne Bay Crusing Club are hosting their legendary Centreboard Cup Regatta. Its one of the coolest sailing events in town & the venue is rather special.

Details here   http://hbcc.net.nz/centreboardcup2017/

And check out my photos from a previous regatta. https://waitematawoodys.com/2015/12/20/whats-the-coolest-yacht-club-10-minutes-from-queen-st/

Anyone Looking For a Wooden Mast?

The Herne Bay Cruising Club have a 31’6″ laminated, hollow wooden mast that needs a home, the price will be very attractive if its for a classic yacht, if you want it as a flag pole expect to pay more 🙂 email Andrew Mason at    a.mason@auckland.ac.nz

 

 

What Happened to Calypso?

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What Happened to Calypso?

Firstly woodys, I love this story, way too many woodys have had a false start on a wooden boat project & just walked away & given up on old wooden boats forever. Well folks I can tell you Nick Davidson, who sent me the above photos, is not one of them, he bounced back, but more on that later – the main focus of this story is to try & uncover the mystery of Calypso. I have re-produced Nicks letter to me below – enjoy 🙂
Hi there Alan, have been thinking about an old kauri launch that I used to own back in the 1990’s, wondered what became of her and thought that perhaps one of your readers might have some information.
It is a story of hope turning to despair, however without the tough stories and the failures I suppose you don’t end up learning much!
As I am sure with many of your readership I was one of those guys that wanted to get into a wooden launch, however at the time had not much in the way of cash. It was mid 1999 and I was looking at boats for sale on ‘trademe’ as you do and there was an advertisement for an old 40’ kauri launch that was sitting in a shed in Avondale, Auckland and urgently looking for a new home, so I went along and had a look.

Basically the deal was that the owner of the shed wanted the building back and there had been veiled threats of chainsaws at dawn. As you can see from the photos of Calypso (very unlikely to be her original name) she was in a sorry state. The diesel was gone and there was a fair bit of rot in the house, but the hull looked sound enough and I could not help but fall for the straight stem (made of Pohutukawa) and fantail stern. The information about her provenance was next to nothing, no numbers, or name plates to be found anywhere. I was told that she was used as a ‘long-liner’ working out of the Viaduct for some years and had a build year of 1905 but have never had that corroborated. The diesel disappeared by way of a chainsaw through the cabin roof and she had then been hauled and transported to a storage unit in Avondale.
As it happened I had access to the old Education Department’s disused central stores warehouses that used to back on to the Avondale College, perfect I thought. I arranged for Calypso to be moved there, paid the princely sum of $300 to the owner (no recollection of the name of the chap) and now owned a 40’ launch that needed a bit of work!
Unfortunately, the arrangement to use the old stores warehouse fell through after a few months and I had her moved out to the Marine Haulage yard in Te Atatu where she stayed for a year or two. During that time I went into a boat partnership with a mate and with unbridled optimism we started stripping her out and removing what was left of the paint on her hull. When the cost of keeping her in Te Atatu became a bit too much for our shallow pockets I managed to find an old vegetable storage shed out in Bombay close to the Pukekohe turnoff and away she went again.

With the assistance of an old boat builder (again I cannot recollect his name, but he lived in Tairua, was involved in relocating the old Ngoiro ferry there, drove an old red van and had a cat that used to accompany him around the country!) we removed all the caulking, over many months slowly jacked up the hull to remove the hog in the keel, splined and glassed her to the gunwale with 10 weight triaxial glass. This was all done over a long period as time and money permitted.

As with many of these sorts of projects, in spite my best intentions and a fair degree of bloody mindedness we found ourselves some 6 years on with a sound hull but a long way from ever getting her back in the water. We had by now removed the cabin and decking which was in a much poorer state than first thought, my circumstances had changed and I no longer had the time or the financial resources to take her any further. We also had to move her again and by about 2005 she was now residing in a factory unit off Mahunga Drive in Mangere.

After a great deal of soul searching the decision was made to put her on ‘trademe’ and eventually she was purchased by a chap who described himself as a boat builder and if my recollection serves me correctly was looking to move her up to the Kaipara Harbour where he had a property and complete the re-fit there. Although disappointed that I hadn’t ever seen her in the water, I consoled myself that we had moved her along and that with the new owner’s intention to complete her she would be saved.
That was the last I saw of her!

Whilst owning Calypso had not dampened my desire to own a wooden launch I was certainly much wiser to the challenges, the cost of such an enterprise and in fact promised myself that if I ever did buy another boat she would have to be floating, have good provenance, and be at least structurally sound.

As it happens my wife and I now own the 1951, 32′ Allan Williams sedan launch Juanita (she has been well covered in Waitemata Woodies), she is a joy to own, gets plenty of use and after a fair bit of work is in great trim. The lessons learned from Calypso although painful have served me well, but I do sometimes wonder what became of her and whether the chainsaw got her in the end?

The photos above of Calypso in the water and being hauled were given to me by the previous owner.
There are a couple of her showing where I got to before having to sell (as you can see she was basically back to a bare hull) and a couple of a scale model that I made of her when I was looking to see how a new cabin would look.

Well woodys, as you have read, Nick & family are re-born woodys, we like that – so can we help Nick sleep better at night 🙂 & confirm what happened to Calypso. Good time for our resident Kaipara woody, Zac Matich, to chip in ………………..

Photos below of Juanita leaving Greg Lees (Sandspit) boat shed after a serious spot of TLC. Link below her time in Greg’s shed.

The rebirth of Juanita

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The Continuing Issue of Electrochemical Damage To Our Wooden Boats – Lady Ellen

 

The Continuing Issue of Electrochemical Damage To Our Wooden Boats

 I recently received an update from Bruce Mitchinson on the restoration work underway on his 36’,  McGeady built (c.1950) classic launch, Lady Ellen. Unfortunately the old lady has a been struck with a dose of electrolysis.

You can see when the secondary shaft log was removed, electrolysis had destroyed the planking around the plate fastenings. The same problem around the main shaft log, and strut fixings, through structural members, which were all bonded together. The affected timber has been removed and new kauri blocks glued in and around the shaft log, keel bolts and floors.

The to-do list this week includes laminating up pilularis frames insitu, to replace the 15 broken, or electrolysis affected members that have been removed.This will complete the inside structural work, below the waterline, that had been put off until things dried out enough.

Other work has seen the old fuel tank removed and a clean up around the bilge in the engine bay Following this Bruce will be working his way forward with stripping and refastening on the outside of the hull.

The shaft, prop and drive couplings have gone down to Whangaparoa for adjustment, set up, and balancing.

Hats off to Bruce for doing the best of Lady Ellen. To read more on this problem, the causes & remedies – visit Chris McMullen’s WW story – link below. Its the most referenced story on WW.

https://waitematawoodys.com/2015/05/15/electrochemical-damage-to-wood-the-marine-version-of-leaky-homes/

Read more on her past & current restoration work at the links below.

https://waitematawoodys.com/2015/06/25/mystery-launch-25-06-2015/

https://waitematawoodys.com/2017/07/14/lady-ellen-restoration/

Three Taupo Boats

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PIRI PONO on her slip at Two Mile Bay, Taupo, in the 1960’s

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PIRI PONO at her final resting place (Maritime Museum)

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LUYVON awaiting restoration at Taupo Oct 2017

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TUI at the Clinker Boat Exhibition

THREE TAUPO BOATS

Post a visit by Paul Drake & his brothers to the 2017 Classic Yacht & Launch Exhibition & a side trip to the Auckland Maritime Museum, Paul sent me the above photos & the story below – which I have re-produced unedited as its perfect as is. Read & enjoy J

 In the mid  1920’s, two gents and their families fell in love with Taupo. Both of them commissioned boats from Auckland builders. Hawke Bay’s Guy Rochfort had TUI (16 feet and clinker) built by Percy Vos. TUI was on display at the recent Classic Clinker Exhibition at the Viaduct in Auckland.  Auckland’s Robert Laidlaw had the 17 foot speedboat  SEAHORSE built by an unspecified builder. After a weather related fright on the lake in 1929, Robert approached Collings and Bell, and the 28 foot PIRI PONO (faithful friend) was the result. Honduras mahogany and bright finished, no expense was spared. PIRI PONO is on display at the Maritime Museum in Auckland.  With her 150 HP straight eight Niagara, she weighed just over a ton and could do about 30 knots. Housed in her boatshed at Two Mile Bay, alongside Laidlaw’s house ‘Monte Vista’, access to the water was via a slipway. A private jetty and offshore mooring completed the picture. 

PIRI PONO was the fastest boat on the lake.  But by 1935, she had a rival in the form of local man Stan Gillies’s  LUYVON, locally designed and built by Jack Taylor and measuring 22 feet. She was light (about half the weight of PIRI PONO) and powered with a Dodge, driving through an outboard drive.  Informal drag races indicated that the boats were very similar in speed.  A more formal test was required. Regatta Day 1936 (probably) was the day. PIRI PONO had her bottom waxed, new spark plugs fitted, all surplus gear removed, and half her fuel pumped out.  The day dawned fine and calm, to PIRI PONO’s disadvantage. LUYVON and PIRI PONO lined up for the 20 lap race. LUYVON had the edge because she cornered faster – PIRI PONO would catch her on the straights.  Robert Laidlaw ordered his crew (son Lincoln) to the aft cockpit to get the bow up a bit. Stan Gillies was still ahead. Back came Lincoln, returning aft with the anchor. This was enough. PIRI PONO won and Robert retained his title as fastest man on the lake.

PIRI PONO was commandeered by the Air Force during WW2 and was the Commodore’s launch at Hobsonville. They replaced the Niagara with a Chrysler (Crown?) and built a cabin over the forward cockpits. Having won the war, the Air Force returned PIRI PONO to Taupo.  She was re-engined with twin Gray’s which are in her to this day. There are conflicting stories as to how this came about. One source has it that she was returned by the Air Force without an engine. Another has it that Laidlaw was disappointed with the speed produced by the Chrysler. Yet another has it that the Air Force wrote off the Chrysler while trying to reverse PIRI PONO off her transporter and into the lake (overheating due to lack of cooling water).

Laidlaw was an enthusiast. He was the founder of Farmers Trading Company. He was a very active Christian, and his name lives on in Laidlaw College, formerly the Bible College of New Zealand, which trains people for Christian ministry. He also has a rock named after him, informally at least. During an early evening spin in PIRI PONO, with 23 POB (so it is said), PIRI PONO struck, at speed, the large flat rock in Mine Bay between the islets and the shore at the eastern end of the bay. The damage must have been enormous and she quickly sank in a few metres of water. Passengers, some of them not-so-young ladies in fur coats, were rescued by nearby launches.  Jack Taylor’s PONUI and VICTORY salvaged PIRI PONO the next day and she was repaired in time for the following summer. 

Meanwhile, TUI led an uneventful life, and lived afloat in a Taupo Boat Harbour boatshed. LUYVON lived in a boatshed nearby, but was kept dry (and light) by being lifted clear of the water on a cradle once in the shed. LUYVON also survives, still owned by the Gillies family, and has been awaiting restoration for some 30 years now. 

The book by Ian Hunter, ‘Robert Laidlaw – Man for our Time’ makes a very interesting read.

UPDATE 01-11-2017 Photo below showing TAMATI in the Lake Taupo Boat Harbour, with the fishing lodge (ex TONGARIRO) in the background, and the Collings and Bell PIRI PONO in the fore ground.   

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Seabird

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SEABIRD

Steve Thomas, the owner of the classic launch Seabird, that won line honors in the 2008 Centennial Rudder Cup, has just sent me the above collection of photos of Seabird hauled out at Nelson for a repaint.

Seabird was built in 1908 by James Reid & now looks set for another 100+ years.

Steve commented that he needed to redraw the waterline, after years of paint build up & “quick in and out jobs” done in the last few years.

Her old 6 Cyl Ford is still running sweetly & with a clean bum & new prop speed she cruises at about 10.5 knots.

Great to see what she looks like out of the water, with that shape, you would think she could really fly with a bigger power plant……… 😉

 

Pirate – Sailing Sunday

Pirate being built at Little Barrier Is.

Under construction c.1903 at Little Barrier Island

Pirate Port Fitzroy GBI

Port Fitzroy GBI – May 1903

Pirate in cave

Big cave – NE Coast – April 1904

 

Ilex & Pirate Port Fitzroy

Ilex & Pirate at anchor – Port Fitzroy GBI – May 1903

Pirate Ashore

June 27 1907

Pirate wrecked again

 

Pirate wrecked & final resting place

Final resting place

PIRATE – Sailing Sunday

Pirate was built by Robert H. Shakespear in a shed alongside his house on Little Barrier Island c1903.

Shakespear was a talented boat builder & worked for the Logan Bros and was involved in Ilex (seen in the above photos) and built Frances at Logans’ yard as a close twin to Victory.

He also had the Logan built clinker keeler Pandora to service his little farm on Little Barrier where he was custodian for a while.

Sadly, Little Barrier was not a friendly home to Pirate & she was ‘wrecked’ twice, the first time during a hard SW gale in June 1907, she was repaired but the second in July 1908 was fatal & she was winched ashore & put to rest under the tress on the Island.

(Photo credits & details – J Russell via the Hocken Collection, University of Otago, Nathan Herbert & Harold Kidd)

The 1895 C&W Bailey Yacht IDA For Sale

Ida resides in Australia these days & her owners have advised that they are interested to hear from anyone that would consider purchasing her (& hopefully repatriating her home).

Harold Kidd has commented on WW that IDA was built by C. & W. Bailey for the Jagger brothers and Frater and launched on 21 December 1895. She was a contemporary and competitor to the other 5 rater of that season, the Logan Bros’ MOANA. You can also view/read an excellent article on Ida by Harold in the November issue of Boating NZ (pages 148>151), on sale now.

Interested parties can contact Catherine Shirley  cathshirley@gmail.com

You can read more about Ida here.

https://waitematawoodys.com/2016/05/15/ida-sailing-sunday-more/

UPDATE: Photos below ex Harold Kidd of IDA hauled out at Noakes yard in Sydney last week.

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